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I do love those red court heels though. This dress is the wrong shape for her petite frame, and the addition of the red flower is unnecessary. Not one to dress down, Rita Ora pulled out all the stops in this floor-length, embellished organza gown at the Bambi Awards! A real red carpet look, and relatively demure for Rita.


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Rooney always opts for a Gothic style, but this is a little too Gothic for my liking. And what is that hair style?! This is not a good look for a red carpet. The gorgeous super model never gets it wrong, her minimal hair and make up and glowing skin looks amazing!


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  5. This outfit is far too casual. Teamed with silver peep-toes and an embellished collar, this is the perfect look for a Bond premiere. How gorgeous does Victoria look at the Glamour Awards? A simple, but sophisticated, and sleek look — bravo VB! J-Law has looked stunning on her recent red carpet appearances… until now! Her lace ankle boots completely cut off her stunning long legs and the dress does nothing for her. One word: Stunning!

    Gemma looks incredible in this figure-hugging floor-length dress. Remove the sleeves and this sleek black jumpsuit would have looked amazing. The black smoky eye would have looked much better with a simple black cat-eye flick! This teal floor-length dress looks amazing on Lupita, with the cutouts subtly flashing the flesh and the fringing detail adding an edge. With legs like that, you can never get it wrong! Gisele looked bronzed and beautiful at her book launch in this stunning pale pink wrap dress with cutout detail.

    The minimal makeup and cute collar are very different from the leather and sheer combo. I much prefer her vampy looks. This is a cute, on-trend look for the ex-Disney star and perfect for the Radio 1 Teen Awards. The check wool Miu Miu skirt is a must-have for this season, and I love the coordinating platform sandals and lip. Ellie has an amazing figure and should be showing it off, but this shapeless metallic dress does nothing for her. Does Alexa ever get it wrong?

    I would have preferred a more delicate sandal, but it works nevertheless. Christmas has come early with this shiny, wrapping paper-like dress. The halterneck does not suit her boxy frame and the earrings even look like they should be hanging on your tree! This is a super-cute look for Lily.

    She definitely stole the limelight at the Breakthrough Prize awards in this heavily embellished, plunging dress with killer heels. This is not a good look for Christina. The LBD looks gorgeous, but the gloves are a strange addition and the boots cut her off.

    This would have worked so much better with a strappy sandal. Gwyneth looks amazing in this floor length gown. The deep plunge neck teamed with long sleeves looks really classy. Amy looks gorgeous at the BAFTA Britannia Awards in this black shimmer gown although a dash of red lipstick would have added a bit of color. The suit looks great, but the Gothic is a little too much and the platform heels ruin an otherwise sleek look. What a red carpet look.


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    Reese looks stunning in this floor length off-the-shoulder black dress. It really suits her figure! This is not a good look for Jen. Her figure looks great, but the bandeau style crop top looks cheap and the skirt is drowning her. She needs something with more shape. The shoes are also hideous!

    A classic VB look here — she never gets it wrong! The leopard print courts are a real statement shoe and a must-have this season. A brighter color would have suited much better. Well done, darling! This quirky striped dress looks amazing on the model, highlighting her enviable figure, and I love the detailing around the waist. Why plastic surgery is the norm for S Korean stewardesses. Find your perfect place to stay. Ad Booking. Travel to the heart of Asia: Taiwan.

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    Visit Korea today! The song does contain Art's first hit Jimmy Webb's superior ballad 'All I Know' and it's as good a pop concoction as any in his future canon. But the rest of the album is decidedly dangerous - certainly a lot more subversive than anything on Paul Simon's first LP for anyone keeping score - and contains references to murder, blood, death, hanging and loneliness, all of which only ended up being played on the radio when someone like Johnny Cash was singing them. Notably there are no graceful epic torch songs like 'Bridge Over Troubled Water', no great statements of faith 'I love you and that's all I know' is about the closest the album comes to commitment and none of the big empty space 'noodling' of Arty's other big moment from 'Bridge', 'So Long Frank Lloyd Wright', all of which might have been a more assured way of being certain of success.

    Arty's unique gift is that he can take all the horrors of the world away and replace them with purity and love, an ability he's always had but which really comes into play on this debut LP. Well, 'Angel Clare' is the next best thing - a series of dark and often depressing songs not unlike those from his 'other' dark album, 's 'Scissors Cut' sung as beautifully as they could possibly be sung.

    Unfortunately for Arty, he seems to have been cleverer with his idea than he expected: Instead people tend to think of this record as being as glossy as all the others, albeit with a couple of rather unsettling moments. And yet I'd stake my Simon and Garfunkel box set that this is what was in his mind as he was making it. For example, the ever literate Garfunkel gave fans a 'clue' as to what the album was about with it's very title.

    When Thomas Hardy gave the name 'Angel Clare' to the second-most important figure in 'Tess Of The D'Urbervilles' he was being ironic, giving the nicest name he possibly could to trying to the respectable, honourable Reverend's son and making his later 'fall' in the reader's eyes all the more shocking.

    Poor Tess discovers too late that Clare is only an 'Angel' in a very narrow sense going to church, being polite to all the local noblemen: Arty is delivering his 'fall' in his listener's ears in 'reverse' - challenging head on the notion that an angelic singer with an angelic voice can only record angelic songs.

    Just listen to three of the scariest moments on the album: There is another clue in the album cover though: Art is staring at the album, near-face on, with a quizzical expression on his place and on first appearance looks smart its probably co-incidental but it's not far off the full-on shot of Paul on the cover of his first record, albeit not quite as smiley.

    But have a good look at that cover - a really good look. Paul's shirt has a hole in it, on his right hand shoulder ie left when you look at the record , just below the cover I didn't notice it for years, but then I did own this album on cassette first before I bought it on vinyl and my eyesight's not as good at that size! This album isn't as smart and polished as it sounds on first hearing thanks to the glossy production - instead the darker, seamier or should that be unseamier? Take a good half of the material on the album. Even 'Another Lullaby' is trying to lull a baby to sleep despite the knowledge that a disaster is going to arrive any second and even if the baby gets any sleep you know reading between the lines that the parent never will.

    Later Garfunkel albums will be genuinely happy, upbeat affairs that don't need to add any darker edges until the sorry saga over Laurie Bird, covered in our review for 'Scissors Cut' anyway , but by Garfunkel standards 'Angel Clare' is the musical equivalent of that nice hot relaxing bath you're already half into before you've discovered the hot water taps stopped working or settling down to watch an interesting looking programme that then gets cancelled at the last minute, like BBC4 did with their 'Rolling Stones' night the other week or perhaps picking up the comfortable, smart jacket that suddenly develops a hole Another theme of the record is moving on and not being sure whether to regret the fact or not.

    Strangely most critics seem to miss this point too, even though 'Angel Clare' starts off with the wandering vagabond 'Travelling Boy' and with the exception of closer 'Another Lullaby' ends with 'Barbara Allen', one of Arty's favourite folk songs, where the title character's lover dies pining for her and the pair wait to be reunited from their different realms. The Simon and Garfunkel split must have been sitting over the shoulders of Art and Jimmy when they debated the songs for this album and there are lots of references to having to move on to somewhere new, even when you don't want to contrast with Paul's first album, which is more about 'freedom' but does take time to note that reunion 'is only a motion away'.

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    Some bands can split and depending how they came together the members in them barely even notice: Did Geri Halliwell give two hoots about the other Spice Girls until the Olympics came a-calling?! Paul and Arty, though, had been school friends and had known each other more than 20 years by the year they both turned just 32 ,. They'd been virtually the only people they knew in their childhoods who shared the same passions music hadn't been that big in either the Simon or the Garfunkel families and both sets of parents were more amused than anything when their teenage sons started having hits as 'Tom and Jerry' and the cheerleaders for each other's talents within reason!

    Anyone who believes that Garfunkel was merely in the duo for the ride needs to read his sleeve notes to the pair's record 'Wednesday Morning 3 AM' released years before the duo were famous, in which Art's enthusiasm and passion spills out. There's a big hole in both Simon and Garfunkel's first solo albums that neither of them can fill, even though they finds ways to manage later: Both men work with close friend and engineer Roy Halee, which undoubtedly helped, but he'd only known the pair for eight years and shared the teenage bond they both shared.

    Over the next few days, Anita kept listening to the recording of the session. So I took two days off. By this point, she was working out her own predictions using online astrological calculators. She got annoyed, told me that my work had been slipping and that she expected me to start immediately.

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    That night Anita went home and, in the watery glow of her laptop, spent hours poring over charts trying to work out what to do, and whether everything would be ok. And if it gets out of hand, the behaviour which once made us feel better can quickly become the source of our anxiety. I found myself asking a similar question about halfway through It sounds so ridiculous.

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    But I felt helpless. Why am I here? In the past we had religion, we went to church and explored these big ideas but now not as many people do. They offer a sense of context but because of that, they can be misused. After that phone call with her sister, Anita decided it was time to move back to the UK. I threw away all my charts and calendars. But I do still check my horoscope via various apps. I stopped looking at my horoscopes as I pieced my new life together.

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    My freelance career went ok I can still pay my rent. My friends stayed my friends, despite the break-up and the feeling of dread about the future slowly eased. And so I realised I had to stop relying on astrology to manage my worries. I can't remember the last time I read one that I didn't immediately forget, which perhaps shows how different I feel now, compared to then.

    My hunch is that the increasing popularity of horoscopes is somehow linked to our worsening mental health. If you feel sad for no apparent reason, being able to ascribe some meaning to your feelings - because Mars is in a square off with Venus, or because your sign makes you more prone to sadness - might not be scientific, or, in the long run, particularly helpful. If you have been affected by any of the issues raised in this article, information about help and support is available here. Jesy Nelson: 'It's a time of my life that I will never get back'. Little Mix's Jesy Nelson: Online trolls made me want to die.